narrowing my work into just steel could continues with the industrial feel of the work. taking on the visual language of these industrial machines. the adherence to steel provides a rich material history to delve into fleshs out the ideas of meaning and systems in a specific way. moving away from the more outwardly fleshy work, i’m more interested in the erotics of absence. how these machines are a representation of bodies in themselves. that moving further away from overt organicism will open up more nuanced discussions about what bodies are and the meaning they hold.